{"product_id":"corporeality-in-early-cinema","title":"Corporeality in Early Cinema","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eCorporeality in Early Cinema\u003c\/em\u003e inspires a heightened awareness of the ways in which early film culture, and screen praxes overall are inherently embodied. Contributors argue that on- and offscreen (and in affiliated media and technological constellations), the body consists of flesh and nerves and is not just an abstract spectator or statistical audience entity.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eAudience responses from arousal to disgust, from identification to detachment, offer us a means to understand what spectators have always taken away from their cinematic experience. Through theoretical approaches and case studies, scholars offer a variety of models for stimulating historical research on corporeality and cinema by exploring the matrix of screened bodies, machine-made scaffolding, and their connections to the physical bodies in front of the screen.\u003cbr\u003e\u003c\/p\u003e\n","brand":"Edited by Marina Dahlquist, Doron Galili, Jan Olsson, and Valentine Robert","offers":[{"title":"Default Title","offer_id":53614986297724,"sku":"9780253033659","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/4980\/0541\/files\/9780253033659_02a3dcfe-b388-4a91-bb29-d0c85d4c1136.jpg?v=1726132821","url":"https:\/\/combined-academic.myshopify.com\/products\/corporeality-in-early-cinema","provider":"Combined Academic Publishers - Mare Nostrum Group","version":"1.0","type":"link"}